11312 modules
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HIST2246 2026-27
Fight for your Rights: Protest in twentieth century Britain
When we speak about protest in Britain today, it divides our society: from the politicians who want to curb our rights and the columnists who worry about protests going too far, to the activists who argue that protesting is one of our democratic rights as citizens. But there is rarely any discussion of the long history behind British protesting. We will explore that history from the mass trespass on Kinder Scout in the 1930s to the boycotts and pickets of the anti-apartheid movement into the 1990s. We will explore different tactics, from strikes to marches to boycotts to riots. We will think about what protestors want, how they fight for it, and whether they have been successful. And we will explore the historical context behind the protests that we see in Britain and around the world today. -
HIST2246 2027-28
Fight for your Rights: Protest in twentieth century Britain
When we speak about protest in Britain today, it divides our society: from the politicians who want to curb our rights and the columnists who worry about protests going too far, to the activists who argue that protesting is one of our democratic rights as citizens. But there is rarely any discussion of the long history behind British protesting. We will explore that history from the mass trespass on Kinder Scout in the 1930s to the boycotts and pickets of the anti-apartheid movement into the 1990s. We will explore different tactics, from strikes to marches to boycotts to riots. We will think about what protestors want, how they fight for it, and whether they have been successful. And we will explore the historical context behind the protests that we see in Britain and around the world today. -
FILM3039 2028-29
Film Audiences: Theories, Methods and Contexts
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FILM3039 2027-28
Film Audiences: Theories, Methods and Contexts
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FILM3003 2027-28
Film Dissertation
The dissertation is an extended piece of work of 8,000 words in length which is the result of an in-depth study of an area of film studies. The subject matter could be a movement, a director, a studio or production company, a national cinema, genre or theoretical issue. It should not replicate assessed work in the other final year module. -
FILM3003 2029-30
Film Dissertation
The dissertation is an extended piece of work of 8,000 words in length which is the result of an in-depth study of an area of film studies. The subject matter could be a movement, a director, a studio or production company, a national cinema, genre or theoretical issue. It should not replicate assessed work in the other final year module. -
FILM3003 2028-29
Film Dissertation
The dissertation is an extended piece of work of 8,000 words in length which is the result of an in-depth study of an area of film studies. The subject matter could be a movement, a director, a studio or production company, a national cinema, genre or theoretical issue. It should not replicate assessed work in the other final year module. -
MUSI2147 2026-27
Film Music Composition
Composing music for films has a rich, 100+ year history, and technological advances and inspired and innovative teams continue to evolve this dynamic sector of the creative industries.
You will be introduced to this history and a series of contemporary techniques and processes central to the practice of synchronising original music to film, creating your own scores to a selection of film cues provided on the module. -
MUSI3150 2026-27
Film Music Composition
Composing music for films has a rich, 100+ year history, and technological advances and inspired and innovative teams continue to evolve this dynamic sector of the creative industries.
You will be introduced to this history and a series of contemporary techniques and processes central to the practice of synchronising original music to film, creating your own scores to a selection of film cues provided on the module. -
MUSI3150 2027-28
Film Music Composition
Composing music for films has a rich, 100+ year history, and technological advances and inspired and innovative teams continue to evolve this dynamic sector of the creative industries.
You will be introduced to this history and a series of contemporary techniques and processes central to the practice of synchronising original music to film, creating your own scores to a selection of film cues provided on the module.