Cole, S. (2019) 鈥楾he Difference is in the Detail: Negotiating Black Gay Male Style in the Twentieth-First Century鈥, Dress: The Journal of the Costume Society of America, 45 (1)
Cole, S. (2019) 鈥樷淢en Feel Swell in鈥︹ Men鈥檚 Underwear: Functional Necessities or Desirable Luxuries?鈥, Luxury: History, Culture, Consumption, 5 (1)
Brebenel, M. (2018) 鈥極ur Networks will be anti-racist and our pedagogy critical鈥. Cinema Journal Teaching Dossier on Teaching Media Against the Global Right, Vol 5 (1), eds. Jaikumar, Dickinson.
Cardo, V. (2018) 鈥楾echnology, Popular Culture and Everyday Life: The Electoral Defeat of New Zealand Internet/MANA鈥, Information Polity, 23(1), pp. 67-80.
Cardo, V. (2018) (with Curtis, N.) 鈥楽uperhero Comics and Third Wave Feminism鈥, Feminist Media Studies, 18(3), pp. 381-396.de-Bruin Mole, M. (2018) 鈥樷淗ail, Mary, the Mother of Science Fiction鈥: Popular Fictionalisations of Mary Wollstonecraft Shelley in Film and Television, 1935-2018鈥, Science Fiction Film and Television, 11(2), pp. 233-255.
de-Bruin Mole, M. (2018) 鈥樷淚 had no idea dragons were so well mannered鈥: Politeness Gets Political in Mannerpunk鈥, Deletion 14, n.pag.
Sendra, E. (2018). 鈥楧isplacement and the Quest for Identity in Alain Gomis's Cinema.鈥 Black Camera, 9(2), Spring 2018, pp. 360-390.
Sendra, E. & Ndour, S. (2018) 鈥楩iftieth Anniversary of the First World Festival of Negro Arts: A Comparative Study of the Involvement of the Populations in the World Festival of Negro Arts in 1966 and 2010.鈥 In Interventions-International Journal of Postcolonial Studies.
Sendra, E. (2018). 鈥楽ituando el cine franc贸fono africano en Colombia: la isla de Gor茅e en el cine senegal茅s.鈥 In Giraldo Barreto, Marco & Rodr铆guez, Jenny Alexandra (eds.) (2018). Cat谩logos razonados: Muestra Afro. Bogot谩, Colombia: Cinemateca Distrital 鈥 Gerencia de Artes Audiovisuales, pp.76-99.
Sendra, E. (2018). 鈥楢lain Gomis, dir. F茅licit茅. 2017. 124 minutes. Lingala (with French and English subtitles). Jour 2 F锚te, DVD, 鈧19.99.鈥 In African Studies Review. Cambridge University Press, 61(2), pp. 275-276. 1-2.
Yin, Y, Qiu, S. (2018). Social responsibility of cultural industry: holistic supermarket experience design for older customers in China. Cultural Industry Research, Vol.17, pp.65-75.
Cole, S. (2017) 鈥橤ay Liberation Front and Radical Drag, London 1970s鈥, QED: A Journal in GLBTQ Worldmaking 4(3), pp.165-169.
de-Bruin Mole, M. (2017) 鈥楥onsuming Gender: Identity Construction under Global Capitalism鈥, with Dany van Dam and Akira Suwa, Assuming Gender 6(1), pp. 1-10.
Sendra, E. (2017). Rama Thiaw, director. The Revolution Won鈥檛 Be Televised. 2015. 110 minutes. Wolof and French (with English subtitles). Senegal. Boul Falle Images. 鈧250.00. African Studies Review. Cambridge University Press, 60 (1), pp. 248-250
Cole, S. (2016) 鈥楽tatuesque Masculinity: Considering the Idealised Trope of the Underwear Model鈥.聽 Vestoj, The Journal of Sartorial Matters (7), pp. 97-100.
Cole, S. and Lewis, R (2016) 'Seeing, recording and discussing LGBTQ fashion and style: Introduction鈥. Fashion, Style and Popular Culture, 3 (2), pp. 149-155.
Dunn, A.G. (2016) 'A Luxury Legacy for the Paris Commune: Review of Communal Luxury by Kristen Ross'. Cultural Politics 12 (1), pp.131鈥134.
Dunn, R. and Dunn, A.G. (2016) 'Bad Dolls/Reappropriating Badness: Performing the Feminine with Reference to Arab Muslim Dolls and Tiqqun鈥檚 Young-Girl' Journal of Middle East Women鈥檚 Studies 12 (2) pp. 275鈥283.
Sekhon, Y. (with Robson, J.) (2016). 'Exploring the strain of inter-personal relationships on employees'. Journal of Business and Industrial Marketing.
Sekhon, Y. (2016). 'Sacred and treasured luxury: the meaning and value of luxury possession amongst second generation Asian Indian immigrants'. Luxury: History, Culture, Consumption, 2 (2), pp. 71-89.
Sendra, Estrella (2016). 'Semb猫ne!'. African Studies Review. Cambridge University Press, 59 (2), pp. 317-319.
Turney, J. (2016). 'Deceitful dressing or no sweat[s]: non-sporting outfits for armchair athletes'. Fashion Theory (Russia), 42.
Turney, J., Hebrok, M., 聽& Klepp, I. G. (2016) 'Wool you wear it? 鈥 Woollen garments in Norway and the United Kingdom', Clothing Cultures, 3(1), pp. 67-84.
Cole, S. (2015) 鈥楲ooking Queer?: Gay Men鈥檚 negotiations between masculinity and femininity in style and dress in the twenty-first century鈥, Clothing Cultures, 2 (2), pp.193-208.
Davis, A. J. and Basia Sliwinska, 'Trans-figurations: Transnational Perspectives on Domestic Space', Third Text, Vol 29, Issue 4-5, July - September 2015, 135-136, Special Issue: Trans-Figurations: Transnational Perspectives on Domestic Spaces, guest edited by August Jordan Davis and Basia Sliwinska, pp. 247-255.
Davis, A. J., 'Reading the Strange Case of Woman-as-Appliance: On Transfigurations, Cyborgs, Domestic Labour and the Megamachine', Third Text, Vol 29, Issue 4-5, July - September 2015, 135-136, Special Issue: Trans-Figurations: Transnational Perspectives on Domestic Spaces, guest edited by August Jordan Davis and Basia Sliwinska, pp. 356 - 376.
Cardo, V. (2014) 'Political Representation and Popular Culture: When Big Brother Met George Galloway, MP', British Politics, 9(2), pp.146 鈥 160.
Cardo, V., (with Rowland-Campbell, A., Vitale, M., Thompson, P.) (2014) 聽鈥楪overnment as a Social Machine: the Implications of Government as a 鈥淪ocial Machine鈥 for Making and Implementing Market-Based Policy', Australian Policy Online.
Cole, S. (2014). 鈥楥ostume or dress? The use of clothing in the gay pronography of Jim French鈥檚 Colt Studio'. Fashion Theory, 18(2), pp. 123-147.
Cole, S. (2014). 鈥楯ocks in Jocks: sportsmen and underwear advertising鈥. Critical Studies in Men's Fashion, 1(2), pp.161-176.
Sekhon, Y. K. et al. (2014). 'Managing branding and legitimacy: A study of charity retail sector'. Nonprofit and Voluntary Sector Quarterly, 43(4), pp. 629-651.
Turney, J. (2014). 'A sweater to die for: fair isle and fair play in The Killing'. Textile: The Journal of Cloth and Culture, 12(1), pp. 18-33.